another noir for tonight

Compared to the iconic 18^th of splendor, the conspiracy was made out of nobody in The Third Man. For the backdrop of the Four Allie powers right after the WWII, Vienna was at that time on the peril of being the declining city of occupancy. The turmoil age was brewing a blended gathering as the black market was once showed up in Vienna city. The city was introduced not the imperial side of spectacular but the downside of a falling empire. The conspiracy was about tracing the mythic dead Third Man while the Holly found himself in his own pulp fiction protagonist. There is also such an exciting moment when contrasting the language use in each age. To look into Amadeus, the debates on the opera, Italian or German, were innovatively out spoken by Mozart by saying “It's full of proper German virtues!” when nobody seemed to know what was one of them. Until we saw in The Third Man, the inter-allied zone of Vienna where no common language was spoken, the pidgin German was mixed up with languages of nonsense. “All strangers to the place...and none of them could speak the same language, except a sort of smattering of German.” Then the proper German virtues were once again of no answers.